Luxe, Calme et Volupté - Sort Of...

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I did have a notion to explore the boundary lines between literal and narrative depiction, primarily in photography, but in the visual arts generally; and the rôle of the critic in shaping the overall structure and framing of those arts into the generalised - frankly spurious, in my opinion - groupings that we call 'movements', an idea to which no single artist would aspire, let alone adhere to. But I won't. I'm ready for the warmth of my fire, so I'll leave that one for now, but I'll definitely come back to it soon. In the interim, the storms have temporarily abated and the sky is somewhat more settled, as above [it's all relative, I know].

I've also dug out the Rollei SLX medium-format camera that I was gifted two or three years back by my old friend John from Aberystwyth, and which I intend to partner with Uncle Mac's 35mm Chinon and the Sigma zoom lens I won on eBay [blog posts passim], when we go down to Shropshire in a couple of weeks. The [Rollei] camera's an absolute beast, and technically a bit weird [it's of its time], but optically it should prove to be top notch. We'll see how we get on, and I'll keep you posted...

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